I’m just home from a fairly manic day at work – but manic in a good way. The reason for the ‘mania’ was the re-launch of the new Radar (formerly known as Under the Radar) website at radar.scotsman.com. Technically it was just a case of switching the testing site to the live server, but there are always things that slip your mind – old links that need changed, social media rebranding, responding to the steady flow of feedback emails and tweets.

First off, I want to pay my dues to the great web development guys at The Scotsman Publications. In hardly any time at all they’ve managed to put together a robust, dynamic and eye-catching mini-site. They really know their stuff, and on projects like this they get to show off a bit.

Secondly, I’d like to pay tribute to the team of writers who’ve shown great enthusiasm and talent over the past 12 months. It’s amazing to think back to this time last year when it was just my own meagre postings and it all felt a bit like a stab in the dark. The new Contributors page is a nice way of boosting the individual profiles of the Radar team.

There are still things I want to add – RSS, a jukebox-style audio player, a multimedia channel – but I’m really happy with how “phase one” has turned out. It’s a huge step forward from what we had before, which was essentially Google Blogger hosted in an iframe. The new site is built with its own CMS and now has unique pages for each artist, each podcast and each blog post. Not exactly mindblowing stuff but we’ve been craving this kind of basic functionality for months.

I’m also excited about where we can take the site. Billy and I are keen to revamp the content we’re currently publishing: we’ll add new strands where they’re needed and take an axe to anything we don’t think is working. This is a transitional period and we’re keeping a very open mind, with an eye towards ways of expanding the site and its profile, both in Scotland and further afield.

If you’re even remotely interested in new music we hope Radar will become one of your regular online haunts.

Right, time to go. I still have another 40-odd artist profiles to upload…

You know that. We’ll take it as a given.

As any half-decent journalist knows, however, it’s precisely this accepted thought that’s there to be torn apart if need be.

Perhaps this was one starting point for Milo over at gaseousbrain.com, a blog which has just published its first ‘zine’. Despite having known Milo for a few years now, I hadn’t seen this coming. With the geek image he likes to keep up (all lies) and his mild obsession with new technology, I assumed blogging/new media/podcasting was his true calling.

And he would be the first to admit that over the past year he’s moved much more of his work on to his self-sufficient online world, away from the extremely limiting space afforded by established print publications.

But even for forward-thinking dudes like Milo, it seems the thrill of seeing your words down on tangible, bendy, physical paper is not completely lost.

Last weekend I received in the post a rather nice ‘catalogue’ of the best writing from his blog. Reflecting his main interests, it covers music, gadgets, travel, TV and Britney Spears. Though I’d love to see it in colour, the design is clean, sharp and easy to read.

I think it’s interesting that he’s taken this step, because he’s not the only one returning to the print format, no matter how distinct it feels from mainstream media. At a time when so many traditional media companies are failing to evolve their product in recognition of the way people consume information, the advantage that projects like these have is their freedom.

I’m not suggesting that Milo or any other bloggers-turned-publishers are for one minute aiming to make a living out of this; to overthrow Murdoch and his ilk (perhaps that won’t seem so far-fetched in a few years). I just think it’s a telling trend – one that I think has real currency right now, so long as the producers maintain their distinct personalities and a free-thinking outlook.

Whether or not it heralds any noticeable trend in publishing, Milo still deserves credit for putting the graft in and trying out something a bit different. Keep the dream alive, etc.

Anyway, I can’t say all this without giving the Gaseous Brain Spring 2010 Catalogue a plug. Order yours here. Or, in Milo’s words…

You can buy the STRICTLY LIMITED EDITION luxury B&W printed version, which has already been described on Twitter as “mindblowing” and “a snazzy catalogue”, for the bargain price of £2 at Elvis Shakespeare, Deadhead Comics & Avalanche Records in Edinburgh, and at Monorail Music in Glasgow.

Out of interest, does anyone have any other examples of blogs turned magazines?

Something far more unprecedented (at least given my commenting track record on Milo’s blog) . I ordered an iPhone.

Spur of the moment, jumping on the bandwagon… however it happened doesn’t really matter. I had long made a stance against iTunes out of a dislike for its controlling diktats, and I’ve only ever heard bad news about the iPod, so always bought less fashionable alternatives.

But it’s different with their mobile phone. It may not quite be a case of iPhone, therefore I am, but it’s already proving itself an addictive über-toy .

Like anyone else who gets their grubby mits on one of these shiny slabs of techie gold, for a few days I was an intrepid app hunter, downloading and installing anything I thought was even half-relevant.

Having sifted through my first batch, here are the results of my swift analysis, a sort of shopping list for anyone looking to expand their app portfolio.

These are all free, as I’m still wary that the micro-payment road leads down a treacherous slope to macro-payment woe.

The genuinely (and I mean genuinely) useful apps

WordPress
I actually started typing this post out on the WordPress app and saved it as a draft before continuing on my more typing-friendly laptop. If I did more commuting (I walk to work) then perhaps this handy little app would spell more updates to njmitchell.co.uk.

EdinBus
Absolute genius, and so simple. By hooking up to MyBusTracker, this app logs you into any bus stop you want in Edinburgh and tells you when the next buses are due. I’ve already used it to time the point I leave my front door to perfection. Check if your city has its own version. If it doesn’t, make it NOW.

Dropbox
This one requires you to have an account, but Dropbox is such a good idea that if you don’t then you should. Save files to their webspace and access them anywhere, including your iPhone. It even plays audio and video files, so if your iPod is rapidly filling up space, this might be the solution.

Twitterific
I always use Tweetdeck on my laptop and at work, but so far Twitterific wins on the handheld for me. It’ a clean, simple design with full functionality and nice birdie sound effects. What more d’you need?

RunKeeper
One for the masochists. If you go out running this will measure your progress by GPS and give you a live report as you go. I ran twice round my local park the other night and found to my dismay I’d only managed 4.86 kilometres. Technology eh?

The news and sport apps

TIME Mobile
The American magazine presents a selection of its magazine content in slick, easy-to-navigate slideshow tabs. Their photography specials are especially good, but there’s also the kind of quality writing you’d expect.

NYTimes
Like its magazine cousin, the Yank’s newspaper of record got its hooks on the iPhone early. This is another app that gives the lie to those that say that reading long-form journalism on a screen will never catch on.

Telegraph
As I’ve yet to stump up the £2.39 for The Guardian’s much hyped app (and frankly, there’s something sanctimonious about the Guardian brand that puts me off any of their latest triumphs), this will have to do instead for British broadsheet coverage.

SkySports Score Centre
OK, it’s evil Sky, but this is the best app I’ve found for keeping bang up-to-date with live football. You can easily check what’s on by league or tournament, and save the matches you give a damn about to My Scores. Handy that. Only downside is having to see the grinning presenter’s mugshot the whole time.

NB: I’ve installed Mobile RSS Reader too, but still find that my Google Reader is more suited to a bigger screen, although that could be down to the fact that I mostly refer to it at work. Also, I couldn’t find a single Scottish news app. I realise that, in my line of work, that’s pretty unforgiveable, so it’s something I may have to set right.

I’ll post another round-up of discoveries next week: fun, games and music. I’ll probably add to the news & sport categories later too.

Was your favourite app in the above categories missing? Put that right by leaving a comment…

What the inside of the human head now looks like

I’ve been trying to think of a subject to write about for the an end-of-year blog post, and, having ruled out Jade Goody’s cultural legacy, the death of Auto-Tune and the career prospects of Tiger Woods, it jumped out at me.

So-called “choice fatigue”, more than any other topic, seems to me the most easily identifiable cultural trend and the most vital issue of the past year, nay, decade.

If you’re wondering what this suspiciously jargonistic concept could possibly represent in the real world, it’s basically the theory that the array of choices presented to us in the modern world doesn’t actually entail any kind of increased happiness or enlightenment. It’s something that readers of Armando Ianucci’s Observer column might recall him lambasting a while ago, and it seems to be gaining more traction as a buzz topic of conversation in its own right. Hell, it’s so proper it even has its own book.

In the Noughties choice fatigue crept up on us while we weren’t looking, through the rise of internet shopping and eBay, MP3 players and iPods, not to mention the explosion of blogging and online journalism.

But over the past twelve months this galaxy of choice has contracted to a black hole, an infinite, inexhaustible portal to… everything.

In music, Spotify was the big advancement in 2009. Catching on by word of mouth and those oh-so-exclusive invitations (until you realised that every citizen of the EU could procure one), it quickly crossed over into the mainstream by virtue of its amazing selling point: (virtually) all the music you could ever imagine, at your fingertips, for FREE (with ads). Spotify has shifted the emphasis from ownership to streaming, and the sheer quantity of music opened up by this, along with the equally impressive Last.fm and The Hype Machine, is unthinkable.

That other digital buzzword of 2009 (even if it began a few years earlier) also played its part in the trend toward radical democratization. Yes, it’s Twitter I’m talking about. The jury’s still out on its actual worth, but this year the micro-blogging service became the ultimate source of information. Whether it was breaking news, daft video clips, top 10 lists, career advice or blurry photos of your mate’s night out, there was one place where it all ended up. And what does this lead to? Discovery? Exposure?Turning a light on corners of the internet we might never have (or indeed needed to have) seen?

Even in the dusty old Great British Living Room, the cult of choice is taking over. Instead of trying to time our routine around the TV schedule, we can just watch the entire series back-to-back with a DVD boxset, or play catch-up on BBC iPlayer or 4od.

In short, 2009 was the year when infinite choice became the standard, the expectation; a word that’s increasingly used by politicians and commentators in an unquestionably positive sense.

But are we really any wiser, happier or more cultured than we were in a decade ago, before all these advancements? No, we’re not. In fact, faced with so much choice, the public rarely want to experiment, settling instead for repeats of Top Gear and Come Dine With Me, streams of the latest single by Lady GaGa or Coldplay or a quick check of Facebook or YouTube.

Choice fatigue, the feeling you get when you stare blankly at your MP3 player as it scrolls through hundreds of not-quite-appropriate-for-my-current-mood albums.

So what exactly am I arguing for here? As tempting as it is to listen to our inner dictator (what, you don’t have one?) and seize back all choice from the individual (make them watch Brasseye, listen to Boards of Canada and read Charlie Brooker’s columns), that would make for a pretty warped society.

No, the answer lies with how we respond to the multitude of options before us. If the thought of Doctor Who or Avatar or the new Cormac McCarthy novel only vaguely flits through your brain tubes, rule them out. And do it decisively; make a concerted effort never to let any of these things occupy your mind again, and focus your attention wholeheartedly on what really interests you.

There you go, a ready-made resolution: become narrower-minded in 2010.

I’m off to continue my quest through the Sopranos boxset… (I really am).

It’s the geeks’ equivalent of the golden ticket in Charlie and the Chocolate Factory.

Except that if you’re a bona fide geek you probably had no problem procuring an invite to Google Wave when it launched its beta phase earlier this year. As one of the blundering, dim-witted masses who take that bit longer to care, I only got mine last week via a friend’s Facebook status update. (Ugh, this post is already way too Mashable-esque for my liking).

You might be expecting me to tell you how it’s revolutionised the way I go about my online business like a budding springtime of web 3.0 futurism. But unfortunately I have yet to get it. And I suspect I won’t until it goes live and more of my web-aware buddies and workmates enter the funhouse.

I’ve only ridden (?) one wave so far, and it came across like nothing more than an instant message chatbox where you see the other person’s typing in real time. It lasted about two minutes before the wave washed up on a beach of inanity and ennui, and I swiftly gave up the experiment.

But as a daily user of Google’s excellent services (Reader, Analytics, Blogger, Documents…), I’m thinking it will all become clear some day.

So are you any further forward? What uses have you found for it? What limitations does it have?